Author: Chris Pavone
Genre: Fiction (Contemporary / Marriage / Domestic Thriller / Luxembourg / Europe / American Expat)
Publisher/Publication Date: Broadway (1/22/2013)
Source: TLC Book Tours
Did I finish?: I didn't.
One-sentence summary: Kate Moore, American expat in Luxembourg, has to deal with a professional mistake while hoping to make sense of her husband's changing behavior.
Reading Challenges: Immigrant Stories, 7 Continents, 7 Billion People, 7 Books
Do I like the cover?: I do -- it matches the genre and the focus of the story,
First line: "Kate?"
Buy, Borrow, or Avoid?: Borrow if you like thrillers featuring women and deceptive marriages.
Why did I get this book?: I'm envious of expats!
Review: I suppose it's inevitable that my streak of winning reads comes to an end. Sadly, this thriller just didn't catch my interest and I DNF'd at 103 pages after many fits and starts.
Essentially, American Kate moves to Luxembourg when her husband gets a lucrative job working with the banks there. As she is having professional angst, the move gives her an out. In Luxembourg, however, things aren't as they should be, stuff from the past shows up, secrets secrets secrets, etc. (I'm fuzzy on what the end is, of course, having not finished this book. But that's my guess.)
For me, the problem was our heroine, Kate Moore. And it's not her fault, I think -- I just really hated how Pavone wrote her. What late 30ish woman giggles when her husband scratches her palm to indicate his desire for sex? (And why can't he just flirt or make a pass like any other person? Every time Pavone had him hold Kate's hand, I wanted to shake it off to avoid weird palm scratching.) A woman who asserts constantly how much her husband needs her (lady doth protest too much, of course!), she makes a big deal about taking her husband's surname and giving herself a cute nickname when they move. If anyone is needy in this marriage, my bet is on Kate.
Despite her professional background (and we learn pretty quickly she's supposed to be a bad ass), Kate walks around oddly insecure, pathetic at moments. Pavone trots out the existential angst how-did-I-get-here housewife trope, which I'm so very sick of in commercial fiction. (I get waking up some mornings and wishing one was 25 again and all that jazz, but when our heroine moves in this fog every day and I'm not reading Betty Friedan or Sylvia Plath, I want her on antidepressants and at talk therapy.) In the interest of avoiding spoiling any of the story, I won't say more than this: I really hate it when characters are all, 'oh, I can't do X because it will reveal all the truths about me' when X is saving one's self, acting competently, and/or have a rational response.
As I said, I gave up at about 100 pages in (of a 300 page book), still wondering where the thriller tension would kick in. I had an idea about what the plot points were going to be based on all the hints Pavone was laying out, although 100 pages in, things were still pretty fuzzy. His narrative style is jumpy: the story is split between now and two years ago, and buried in the two-year old sections are memories and events from Kate's past. It felt a bit jumbled and confusing.
I suppose I was warned: The New York Times blurb includes this telling tidbit: "The tireless scheming of all four principals truly exceeds all sane expectations." I didn't get that far, but what I saw felt pretty nonsensical.
My GoodReads feed has a number of three to five star ratings for this book, so don't take my opinion solely; be sure to check out the others on the tour as well for more opinions!
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